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ROVNER LIGATURES
Twenty-Six Years of innovative design.
and ongoing improvements!
TO CHECK PRICES AND ORDER ONLINE CLICK HERE
LISTEN That's what Rovner do best.
They listen to you... to your suggestions, frustrations, triumphs and, most of
all, to your wish list for woodwind accessories that you can depend on for
quality and performance.
They listen to hundreds and hundreds of mouthpieces, ligatures, and reeds --
their own and others -- in every conceivable combination. They listen with the
ears of a scientist and the ears of a musician. They listen for that magical
translation of sound waves and oscillation and vibration into musical notes that
are sweet, clear and pure.
They listen earnestly, attentively and expectantly because, like you, they
believe the music is everything. That's why there so dedicated to helping every
woodwind player of every calibre enjoy the utmost in musical expression. Trust
them for quality, service and innovative design.
The Rovner
Dark, Light and Mark III Ligatures incorporate an old idea for creating
natural sound... softly holding the reed to the mouthpiece with no pressure
points, just as if the reed were tied on with a string. Because there are no
pressure points or rigid constraints on the reed, the reed seats evenly to the
facing of the mouthpiece, thereby reducing stiffness and increasing tonal
clarity. These features contribute to the playing characteristics for which Rovner
Ligatures are famous; even scales, accurate intonation and
excellent control.
Rovner Ligatures also greatly improve reed playability. Reeds which are
totally unplayable on other ligatures will often perform well with the Rovner.
The ability of the Rovner Ligature to extend reed life is unparalleled.
More rigid ligatures actually hammer the cane fibers during vibration,
eventually destroying the reed's tonal vibrancy. Not so with Rovner.
Most players find their reeds will play until the tips finally succumb to
fatigue and fall apart!
| EVERY ROVNER LIGATURE |
| Permits the reed to vibrate more freely than with
conventional metal ligatures |
| Improves tone, response and intonation of woodwind
instruments |
| Allows reed to swell and shrink without distorting
the reed body, reducing the likelihood of leakage at the facing |
| Reduces peculiar modes of vibration that give rise
to uneven scales, poor intonation, squeaks and raspiness |
| If properly used, will provide greater playing ease,
considerably extended reed life and fewer rejected reeds |
| Is made of the finest materials obtainable |
| Has a body made of neoprene-impregnated polyester
fabric that will not stretch or rot and is chemically impervious; is
fitted with corrosion-resistant metal fittings a |
| Undergoes constant scrutiny for possible
improvements |
| All current ligatures feature double-textured
ligature body with new T-process Polymer Impregnation. |
|
The Rovner
EVO-5 Ligature |
|
New
model EVO-5 to fit hard rubber (ebonite) alto & tenor mouthpieces. All the
attributes of current Rovner models plus multi-tonal technology as it can
be fitted in 3 different positions and turned inside out. Simplicity of
design ensures consistent (reed seat) performance. |
|
The Rovner
Dark Ligature |
 |
The original Rovner Ligature that has
won acceptance worldwide for its ability to perform like a classic
string ligature, but with greater convenience. Now improved, with more
reliable metal fittings and refinements in construction. Gives a big,
centered tone with the ease of control and playability that only a
string ligature can give. Supplied with an improved cap design for a
more effective fit to the mouthpiece.
See further down for size chart. |
|
The Rovner
Light Ligature |
 |
A free-playing ligature with a
broader, more open tone quality for gutsy, contemporary styles of
playing. Gives a free and responsive feel similar to other Rovner
Ligatures, but with a bit reedier air to the sound. Same improved cap
design as for the "DARK" for effective reed protection.
See further down for size chart. |
|
The Rovner
Custom MK III Ligature |
 |
A premium ligature that is
extraordinary in all characteristics of tone, response and ease of
playing. Delivers a big, solid, well-centered tone of great brilliance,
but without buzz or hash. Offers amazing response in all registers, as
well as unbelievable accuracy, control of expression and dynamic range.
Supplied with cap.
See further down for size chart. |
|
The Rovner
Eddie Daniels MK2 Ligature |
 |
Designed in collaboration
with renowned Jazz clarinetist, Eddie Daniels What do you get
when you put two heads, four ears, and twenty fingers together? Musical
perfection... especially when all those assorted body parts belong to
two musical geniuses the likes of Eddie Daniels and Phil Rovner! This
collaborative effort has yielded a ligature that is like no other. For
both clarinets and saxophones, this ligature embodies much of the tonal
"center" of a good metal ligature, but with the flexibility
and freedom that are the hallmark of Rovner Ligatures. Simply
put, no other ligature feels this good! The ED Model
offers a great sense of playing confidence derived from the feeling of
complete control and accurate, intensely focused intonation. Great
sonority reigns in the bottom two-thirds of the low register on both
clarinet and saxophone. Notes that normally buzz irritatingly achieve a
new level of tonal purity and roundness. Register breaks, up or down,
take place with nearly the same ease as movement to adjacent notes. Many
reeds that wouldn't play are instantly turned into great performers. The
depth of sound of this ligature reveals how all other ligatures are
shallow-sounding
What's the basis for this giant leap forward in ligature
performance?
·
Internal ribbing that floats the ligature body on the
mouthpiece
·
Very thin stainless steel rails supporting the reed
·
New free-floating metal fittings that produce better seating
of ligature and reed
·
A new Polymer-impregnated, double textured ligature body
|
MODEL
MOUTHPIECE |
LIGATURE |
| CLARINET |
Dark |
Light |
Custom MKIII |
Eddie Daniels |
| Bb |
1R |
L5 |
C-1R |
1R-ED2 |
| Known Exceptions |
| German type with string groove |
1E |
|
C-1E |
1E-ED2 |
| Eb |
1RS |
L4 |
C-1RS |
1RS-ED2 |
| ALTO |
2RS |
L7 |
|
|
| BASS |
3RL |
L-10 |
C-3RL |
3RL-ED2 |
| Eb Contra Alto |
4RS |
|
|
|
| BBb Contra Bass |
4RL |
|
|
|
| SOPRANINO Sax |
Dark |
Light |
Custom MKIII |
Eddie Daniels |
| RUBBER (most) |
1RXS |
|
|
|
| SOPRANO Sax |
Dark |
Light |
Custom MKIII |
Eddie Daniels |
| RUBBER (most) |
1RVS |
L3 |
C-1RVS |
1RVS-ED2 |
| Known Exceptions |
| Couf |
1RXS |
|
|
|
| Runyon |
1RXS |
|
|
|
| METAL |
No standard model, see
below |
| Brendan Tibbs |
1MS |
L2 |
|
|
| Dukoff |
1MD |
|
|
|
| Guardala |
1MVS |
|
|
|
| Link, Otto |
1MVS |
|
|
|
| Runyon |
1MS |
L2 |
|
|
| Selmer |
1MS |
L2 |
|
|
| Yanagisawa |
1MVS |
|
|
|
| ALTO Sax |
Dark |
Light |
Custom MKIII |
Eddie Daniels |
| RUBBER (most) |
1RL |
L6 |
C-1RL |
1RL-ED2 |
| Known Exceptions |
| Runyon |
1RR |
|
|
|
| METAL(most) |
1M |
L11 |
C-1M |
1MA-ED2 |
| Known Exceptions |
| Bari |
1MB |
|
|
|
| Beechler |
1MB |
|
|
|
| Brendan Tibbs |
2M |
L12 |
C-2M |
|
| Dukoff |
2M |
L12 |
C-2M |
2MA-ED2 |
| Link, Otto |
3ML |
L13 |
C-3ML |
3MLA-ED2 |
| RIA |
3ML |
L13 |
C-3ML |
3MLA-ED2 |
| Sugal |
3ML |
L13 |
C-3ML |
3MLT-ED2 |
| Yanagisawa |
2M |
L12 |
C-2M |
2MA-ED2 |
| TENOR Sax |
Dark |
Light |
Custom MKIII |
Eddie Daniels |
| RUBBER (most) |
2R |
L8 |
C-2R |
2R-ED2 |
| Known Exceptions |
| Couf |
1RL |
L6 |
C-1RL |
1RLT-ED2 |
| Larson, Berg |
1RL |
L6 |
C-1RL |
1RLT-ED2 |
| Runyon |
1RL |
L6 |
C-1RL |
1RLT-ED2 |
| Vandoren |
1RL |
L6 |
C-1RL |
1RLT-ED2 |
| METAL (most) |
2M |
L12 |
C-2M |
2MT-ED2 |
| Known Exceptions |
| Bari |
1M |
L11 |
C-1M |
1MT-ED2 |
| Beechler |
3ML |
L13 |
C-3ML |
3MLT-ED2 |
| Brendan Tibbs |
3ML |
L13 |
C-3ML |
|
| Hawkins, Guy |
1M |
L11 |
C-1M |
1MT-ED2 |
| Lawton |
3ML |
L13 |
C-3ML |
3MLT-ED2 |
| Link, Otto |
3ML |
L13 |
C-3ML |
3MLT-ED2 |
| Link, Otto (New York) |
3ML-NY |
|
|
3MLT-ED2 |
| Tayne, Wolfe |
1M |
L11 |
C-1M |
1MT-ED2 |
| Vandoren |
3ML |
L13 |
C-3ML |
3MLT-ED2 |
| Ria |
3ML |
L13 |
C-3ML |
3MLT-ED2 |
| BARITONE Sax |
Dark |
Light |
Custom MKIII |
Eddie Daniels |
| RUBBER (most) |
3R |
L9 |
C-3R |
3R-ED2 |
| Known Exceptions |
| Caravan |
4R |
|
|
|
| Larsen, Berg |
2RBL |
L7.5 |
|
|
| Link, Otto |
2R |
L8 |
C-2R |
2R-ED2 |
| Meyer |
2R |
L8 |
C-2R |
2R-ED2 |
| Rico Royal |
2R |
L8 |
C-2R |
2R-ED2 |
| Runyon - Slim Line |
1RL |
L6 |
C-1RL |
1RL-ED2 |
| METAL (most) |
3ML |
L13 |
C-3ML |
3MLT-ED2 |
| Known Exceptions |
| Beechler |
1M |
L11 |
C-1M |
1MT-ED2 |
| Bredan Tibbs |
1RL |
L6 |
C-1RL |
|
| Dukoff |
|
L14 |
|
|
| Hawkins, Guy |
2M |
L12 |
C-2M |
2MT-ED2 |
| Meyer |
2M |
L12 |
C-2M |
2MT-ED2 |
| Link, Otto |
3MVL |
|
|
1RLT-ED2 |
| Tayne, Wolfe |
2M |
L12 |
C-2M |
2MT-ED2 |
| BASS Sax |
4R |
|
|
|
TO CHECK PRICES AND ORDER ONLINE CLICK HERE
From: Steve Johnson"
sjjohnson70@hotmail.com
Subject: RE: Mouthpiece question (Rovner Dark Lig on
Otto Link Ebonite Tenor)
Date: Wed, 16 Jun 2004 10:12:04 +0100
Hi,
I never write to companies to applaud them - if I've paid for something I expect
it to do what it says on the tin - but I have to say your recommendation was
spot on! I phoned an order in at 13:20 yesterday and the mouthpiece
arrived at 07:20 this morning! I've just given it a good workout - first
impression was good, even better when I put the lig on the right way round
(duh), and when I put my Rovner Dark lig on, it just took off. Sounds great,
intonation superb, easy to play in all registers and hardly any fatigue. Really
flatters the sax and my playing - so much closer to the sound in my head that I
am kicking myself for not changing before. The best £85 I've spent in
ages! So, thanks a million! Very best regards, Steve
Sent: Tuesday, June 01, 2004 3:05 PM
I can't believe the difference the new Rovner ligature has made to the sound
of my trusty old Yani tenor.
Nick Shepherd
From: Klaus Troster
[mailto:email@hiklaus.com]
Sent: 06 June 2004 18:10
Subject: Rovner Eddie Daniels Ligature
.....the ligature really sorted my tone out. Never thought what impact such
a little piece of equipment has. The Rovner Eddie Daniels is most definitely
recommended. Keep up the good work and
thank you very much again for your great service. Kind Regards, Klaus
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