Rovner Dark LigatureROVNER LIGATURES
Twenty-Six Years of innovative design.
and ongoing improvements!

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LISTEN That's what Rovner do best. They listen to you... to your suggestions, frustrations, triumphs and, most of all, to your wish list for woodwind accessories that you can depend on for quality and performance.

They listen to hundreds and hundreds of mouthpieces, ligatures, and reeds -- their own and others -- in every conceivable combination. They listen with the ears of a scientist and the ears of a musician. They listen for that magical translation of sound waves and oscillation and vibration into musical notes that are sweet, clear and pure.

They listen earnestly, attentively and expectantly because, like you, they believe the music is everything. That's why there so dedicated to helping every woodwind player of every calibre enjoy the utmost in musical expression. Trust them for quality, service and innovative design.

The Rovner Dark, Light and Mark III Ligatures incorporate an old idea for creating natural sound... softly holding the reed to the mouthpiece with no pressure points, just as if the reed were tied on with a string. Because there are no pressure points or rigid constraints on the reed, the reed seats evenly to the facing of the mouthpiece, thereby reducing stiffness and increasing tonal clarity. These features contribute to the playing characteristics for which Rovner Ligatures are famous; even scales, accurate intonation and excellent control.

Rovner Ligatures also greatly improve reed playability. Reeds which are totally unplayable on other ligatures will often perform well with the Rovner. The ability of the Rovner Ligature to extend reed life is unparalleled. More rigid ligatures actually hammer the cane fibers during vibration, eventually destroying the reed's tonal vibrancy. Not so with Rovner. Most players find their reeds will play until the tips finally succumb to fatigue and fall apart!

EVERY ROVNER LIGATURE
Permits the reed to vibrate more freely than with conventional metal ligatures
Improves tone, response and intonation of woodwind instruments
Allows reed to swell and shrink without distorting the reed body, reducing the likelihood of leakage at the facing
Reduces peculiar modes of vibration that give rise to uneven scales, poor intonation, squeaks and raspiness
If properly used, will provide greater playing ease, considerably extended reed life and fewer rejected reeds
Is made of the finest materials obtainable
Has a body made of neoprene-impregnated polyester fabric that will not stretch or rot and is chemically impervious; is fitted with corrosion-resistant metal fittings a
Undergoes constant scrutiny for possible improvements
All current ligatures feature double-textured ligature body with new T-process Polymer Impregnation.
The Rovner EVO-5 Ligature

New model EVO-5 to fit hard rubber (ebonite) alto & tenor mouthpieces. All the attributes of current Rovner models plus multi-tonal technology as it can be fitted in 3 different positions and turned inside out. Simplicity of design ensures consistent (reed seat) performance.

The Rovner Dark Ligature
Rovner Dark The original Rovner Ligature that has won acceptance worldwide for its ability to perform like a classic string ligature, but with greater convenience. Now improved, with more reliable metal fittings and refinements in construction. Gives a big, centered tone with the ease of control and playability that only a string ligature can give. Supplied with an improved cap design for a more effective fit to the mouthpiece.

See further down for size chart.
The Rovner Light Ligature
Rovner Light A free-playing ligature with a broader, more open tone quality for gutsy, contemporary styles of playing. Gives a free and responsive feel similar to other Rovner Ligatures, but with a bit reedier air to the sound. Same improved cap design as for the "DARK" for effective reed protection.

See further down for size chart.
The Rovner Custom MK III Ligature 
Rovner Custom MK III A premium ligature that is extraordinary in all characteristics of tone, response and ease of playing. Delivers a big, solid, well-centered tone of great brilliance, but without buzz or hash. Offers amazing response in all registers, as well as unbelievable accuracy, control of expression and dynamic range. Supplied with cap.

See further down for size chart.
The Rovner Eddie Daniels MK2 Ligature
Rovner Eddie Daniels Designed in collaboration with renowned Jazz clarinetist, Eddie Daniels What do you get when you put two heads, four ears, and twenty fingers together? Musical perfection... especially when all those assorted body parts belong to two musical geniuses the likes of Eddie Daniels and Phil Rovner!  This collaborative effort has yielded a ligature that is like no other. For both clarinets and saxophones, this ligature embodies much of the tonal "center" of a good metal ligature, but with the flexibility and freedom that are the hallmark of Rovner Ligatures. Simply put, no other ligature feels this good!  The ED Model offers a great sense of playing confidence derived from the feeling of complete control and accurate, intensely focused intonation. Great sonority reigns in the bottom two-thirds of the low register on both clarinet and saxophone. Notes that normally buzz irritatingly achieve a new level of tonal purity and roundness. Register breaks, up or down, take place with nearly the same ease as movement to adjacent notes. Many reeds that wouldn't play are instantly turned into great performers. The depth of sound of this ligature reveals how all other ligatures are shallow-sounding
What's the basis for this giant leap forward in ligature performance?

·  Internal ribbing that floats the ligature body on the mouthpiece

·  Very thin stainless steel rails supporting the reed

·  New free-floating metal fittings that produce better seating of ligature and reed

·  A new Polymer-impregnated, double textured ligature body

MODEL
MOUTHPIECE
LIGATURE
CLARINET Dark Light Custom MKIII Eddie Daniels
Bb 1R L5 C-1R 1R-ED2
Known Exceptions
German type with string groove 1E   C-1E 1E-ED2
Eb 1RS L4 C-1RS 1RS-ED2
ALTO 2RS L7    
BASS 3RL L-10 C-3RL 3RL-ED2
Eb Contra Alto 4RS      
BBb Contra Bass 4RL      
SOPRANINO Sax Dark Light Custom MKIII Eddie Daniels
RUBBER (most) 1RXS      
SOPRANO Sax Dark Light Custom MKIII Eddie Daniels
RUBBER (most) 1RVS L3 C-1RVS 1RVS-ED2
Known Exceptions
Couf 1RXS      
Runyon 1RXS      
METAL No standard model, see below
Brendan Tibbs 1MS L2    
Dukoff 1MD      
Guardala 1MVS      
Link, Otto 1MVS      
Runyon 1MS L2    
Selmer 1MS L2    
Yanagisawa 1MVS      
ALTO Sax Dark Light Custom MKIII Eddie Daniels
RUBBER (most) 1RL L6 C-1RL 1RL-ED2
Known Exceptions
Runyon 1RR      
METAL(most) 1M L11 C-1M 1MA-ED2
Known Exceptions
Bari 1MB      
Beechler 1MB      
Brendan Tibbs 2M L12 C-2M  
Dukoff 2M L12 C-2M 2MA-ED2
Link, Otto 3ML L13 C-3ML 3MLA-ED2
RIA 3ML L13 C-3ML 3MLA-ED2
Sugal 3ML L13 C-3ML 3MLT-ED2
Yanagisawa 2M L12 C-2M 2MA-ED2
TENOR Sax Dark Light Custom MKIII Eddie Daniels
RUBBER (most) 2R L8 C-2R 2R-ED2
Known Exceptions
Couf 1RL L6 C-1RL 1RLT-ED2
Larson, Berg 1RL L6 C-1RL 1RLT-ED2
Runyon 1RL L6 C-1RL 1RLT-ED2
Vandoren 1RL L6 C-1RL 1RLT-ED2
METAL (most) 2M L12 C-2M 2MT-ED2
Known Exceptions
Bari 1M L11 C-1M 1MT-ED2
Beechler 3ML L13 C-3ML 3MLT-ED2
Brendan Tibbs 3ML L13 C-3ML  
Hawkins, Guy 1M L11 C-1M 1MT-ED2
Lawton 3ML L13 C-3ML 3MLT-ED2
Link, Otto 3ML L13 C-3ML 3MLT-ED2
Link, Otto (New York) 3ML-NY     3MLT-ED2
Tayne, Wolfe 1M L11 C-1M 1MT-ED2
Vandoren 3ML L13 C-3ML 3MLT-ED2
Ria 3ML L13 C-3ML 3MLT-ED2
BARITONE Sax Dark Light Custom MKIII Eddie Daniels
RUBBER (most) 3R L9 C-3R 3R-ED2
Known Exceptions
Caravan 4R      
Larsen, Berg 2RBL L7.5    
Link, Otto 2R L8 C-2R 2R-ED2
Meyer 2R L8 C-2R 2R-ED2
Rico Royal 2R L8 C-2R 2R-ED2
Runyon - Slim Line 1RL L6 C-1RL 1RL-ED2
METAL (most) 3ML L13 C-3ML 3MLT-ED2
Known Exceptions
Beechler 1M L11 C-1M 1MT-ED2
Bredan Tibbs 1RL L6 C-1RL  
Dukoff   L14    
Hawkins, Guy 2M L12 C-2M 2MT-ED2
Meyer 2M L12 C-2M 2MT-ED2
Link, Otto 3MVL     1RLT-ED2
Tayne, Wolfe 2M L12 C-2M 2MT-ED2
BASS Sax 4R      

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From: Steve Johnson" sjjohnson70@hotmail.com
Subject: RE: Mouthpiece question (Rovner Dark Lig on Otto Link Ebonite Tenor)
Date: Wed, 16 Jun 2004 10:12:04 +0100

Hi, I never write to companies to applaud them - if I've paid for something I expect it to do what it says on the tin - but I have to say your recommendation was spot on!  I phoned an order in at 13:20 yesterday and the mouthpiece arrived at 07:20 this morning!  I've just given it a good workout - first impression was good, even better when I put the lig on the right way round (duh), and when I put my Rovner Dark lig on, it just took off. Sounds great, intonation superb, easy to play in all registers and hardly any fatigue. Really flatters the sax and my playing - so much closer to the sound in my head that I am kicking myself for not changing before.  The best £85 I've spent in ages! So, thanks a million! Very best regards, Steve
 

From: Nicholas Shepherd
Sent: Tuesday, June 01, 2004 3:05 PM
I can't believe the difference the new Rovner ligature has made to the sound of my trusty old Yani tenor. Nick Shepherd

From: Klaus Troster [mailto:email@hiklaus.com]
Sent: 06 June 2004 18:10
Subject: Rovner Eddie Daniels Ligature 
.....the ligature really sorted my tone out. Never thought what impact such a little piece of equipment has. The Rovner Eddie Daniels is most definitely recommended. Keep up the good work and thank you very much again for your great service. Kind Regards, Klaus

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