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ALL THINGS MOUTHPIECE
The mouthpiece, ligature and reed are
the 3 most important items in playing the saxophone. They dictate what
sound comes out of the instrument, so it is therefore paramount that we
make sure they are of the best quality and suit the individual.
The tip opening number (or lay)
refers to how big the gap is between the end of the reed and the tip of the
mouthpiece. Basically this effects how much air it is possible to push through
the sax as well as how much the reed itself moves when blown. Hence the bigger
the lay the more powerful projection a player can get from a horn and the more
potential for dynamics. Conversely, a wider lay requires more physical effort to
play and is more tricky for a player to control. Also watch out for the fact
that different companies use different numbering conventions to describe tip
openings so direct comparisons are not always straightforward. It is usual to
start with a small size No.4 and then move up as you progress.
One of the best ways to improve the tone
and playability of your sax is to upgrade the mouthpiece, ligature and reed
set-up. There is a huge choice of mouthpieces to suit every kind of level and
playing style. Even before considering a new mouthpiece, it is recommended that
you replace the standard metal ligature that comes with your instrument, and it
would be wise to invest in some better quality reeds (there are many different
brands). A brief survey of mouthpieces, ligatures and reeds has been conducted
by our in-house sax players.
Here are a few basic guidelines:- As a
general rule Ebonite mouthpieces are the choice of many players who wish to
deliver a clear and lighter tone whereas metal mouthpieces tend to be louder with
more edge to the sound, and are the choice of many who play jazz, blues and
rock. Metal mouthpieces tend to be more popular with the tenor saxophone as they
can project the sound further. However, there are always exceptions to the rule
and can be found in our survey of 'all things mouthpiece'.
Lets Begin at the Beguine!
1. The Mouthpiece
the baffle. This is the portion
at the top of the mouthpiece that slopes downwards into the mouth. A
high baffle (thick) gives and an edge or a buzz to the sound. A low
baffle (thin) does not project as much but produces a slightly darker
sound, can be harder to blow.
the facing. Extends from the
table and controls the gap between mouthpiece and reed (known as the
tip opening). A long facing can be more difficult to control and
along with a wide tip opening requires good embouchure strength if
played with a hard reed. It is difficult to play soft with a mouthpiece
like this. With a short facing there is usually a narrow tip opening(
the gap between reed and mouthpiece is small). This does make it easier
to blow for beginners using a soft reed, but the clarity of sound in the
extreme registers of the sax suffers and can sound out of tune. Facings
usually come in 3 sizes - short, medium and long.
the table. This is where the
reed sits and should be as smooth and flat as possible. The reed must
sit very securely on the table. A clean contact between reed and
mouthpiece improves tone production and allows the reed to function
correctly.
the chamber. This is where the
air waves resonate before they enter the saxophone. The general rule is
that the smaller the chamber the louder the sound, and vice versa. The
more direct the sound enters the sax the more the sound will project.
Big chambers produce a mellow tone whereas smaller chambers tend to be
harder edged.
Most mouthpiece manufacturers provide a
range of different sizes.
Just check out the chart
below!
A selection of the tip openings available: (this is the gap
between the tip of the reed and the mouthpiece, also called the 'lay').
|
Instrument |
Medium Close |
Medium |
Medium |
Medium Open |
Medium Open |
Bb
soprano sax
* |
50
5 |
55
5* |
60
6 |
65
6* |
70
7 |
Eb
alto sax
* |
70
5 |
75
5* |
80
6 |
85
6* |
90
7 |
Bb
tenor sax
* |
|
95
6* |
100
7 |
105
7* |
110
8 |
Eb
baritone sax
* |
100
5 |
105
5* |
110
6 |
115
6* |
120
7 |
Different tone chambers
available: Brilliant(0), bright(1) & round(2).
Different materials available : ebonite, grained ebonite, stainless
steel & bronze.
This means that when choosing an alto mouthpiece with this particular
make you have 60 variations!
The sizes above are followed by most of
the well known makes of mouthpiece and this makes it much easier to
choose a mouthpiece that suits you. |